A deep love for music, inner dance and the movement of travel
Music and creativity have been part of my life for as long as I can remember. I grew up in a very creative family. My grandmother was a Welsh opera singer, my mother is a professional dancer, and both my father and sister are artists.
Over the years, my own relationship with the voice has developed through performing, teaching, studying, travelling and simply being curious about how the voice works.
My Holistic Singing Studio has become a little “confidence haven”, a space where singers can feel grounded, explore their voice and develop a deeper understanding of vocal anatomy and the foundations of healthy singing, including how the voice is connected to the body and larynx.
I love the process of fine-tuning technique while exploring all the different realms of your personal voice. This might include your attitude towards risk as a performer, or your cognitive, physical and social capabilities and challenges within different vocal environments.
For me, teaching is about more than simply learning to sing a song. I enjoy helping people understand their own voice and discovering what makes it unique. This can involve developing technique, building confidence, becoming more comfortable with taking risks as a performer, or exploring the cognitive, physical and social challenges that can arise in different vocal environments.
I have continued to develop my knowledge through certified professional development, research and practical experience. I am particularly interested in the relationship between voice, body, mind and everyday life, and I love bringing new ideas and approaches into my teaching.
One of my favourite moments in a lesson is when someone says, “I learnt so much today!” Those moments make all the studying, research and hours spent reading very wordy academic papers worthwhile!
Singing as Therapy
I also offer Singing as Therapy, through both one-to-one and group sessions for children and adults.
This side of my work allows me to bring a more spiritual and holistic element into singing. Depending on the person and the session, this may include singing barefoot, mindfulness, meditation, crystal healing or Kirtan chanting, a form of devotional singing.
These practices can create a gentle and supportive environment where people of all ages can explore their emotions and express themselves without judgement.
There is no expectation to be a “perfect singer”. Sometimes the most meaningful part is simply having the courage to make a sound, be heard and connect with yourself and others.
These practices can create a beautiful space where singers of all ages feel safe to emotionally express themselves without judgement.
How it all started…
My journey began with performing in local productions, shows, Eisteddfods, choir performances and community events. I was lucky enough to take part in two West End productions in Jersey, Annie, starring Ruth Madoc, and Joseph, starring H from Steps.
At 16, I left school and Jersey and moved to the UK to study for my Vocal Diploma at the Academy of Contemporary Music. I graduated with Distinction and went on to study a Music Degree from the age of 17.
During my degree, in 2013, I was invited to join my lecturer and friend’s Electro Swing band, Lunatrix.
Being part of the band gave me the opportunity to perform at venues, festivals and events across England, including London, Bristol, Brighton, Peterborough, Northampton and Sussex. We performed at venues such as Hootenanny’s and The Fox & Firkin, as well as Boomtown Fair in Winchester.
We also supported Congo Natty in Finsbury Park and performed at a wedding in London, alongside various smaller festivals and events around the UK.
I also attended workshops and performances at Metropolis Studios in London, where I was introduced to and inspired by many incredible musicians, including George Clinton.
One of the most peaceful recording experiences I had was creating meditation chants for a mindfulness album called Inner Pieces. It was very different from performing on stage and helped me appreciate the many different ways that the voice can be used.
My degree also gave me a broader understanding of the music industry, including music business, studio skills, A&R, copyright, accounting, contracts and business planning.
Music, travel & spirituality
Travel has played an important part in shaping my relationship with music and teaching.
Along the way, I have had opportunities to teach in orphanages in Cambodia and to sing at Kirtan, meditation and yoga retreats, as well as within Bhakti practices in Indonesia.
These experiences have helped me see the voice not simply as something we use to perform, but as something that can help us connect, communicate, express ourselves and feel more present in our bodies.
If we look back hundreds of years, cultures around the world have used the voice and sound as tools for connection, ceremony, medicine and healing. We can also see the incredible role of sound throughout nature, from whales and toadfish to crickets and birds.
I believe there is something very special about giving ourselves permission to explore our voice.
You do not have to consider yourself a “singer” to experience the benefits. Your voice belongs to you, and learning to understand and express it can support confidence, creativity, wellbeing and connection
Opening up the voice and sharing your creative expression can be a powerful and deeply rewarding experience for anyone willing to explore it.
And perhaps that is where the magic begins.